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Field Reports from The Western Lands

by Reindeer

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  • Poster/Print

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    A beautifully crafted 44 page chapbook, containing the complete album text, plus auxiliary materials and album credits. Fully illustrated throughout by the astonishingly masterful Mildew. Hand-numbered and signed by James Reindeer, available as an ultra-limited edition of just 25 copies worldwide. Also includes a high quality bookmark featuring hand-numbered edition and download code to the full album on a format of your choosing.

    -
    ships out within 14 days
    edition of 25  7 remaining

      £12 GBP or more 

     

  • Poster/Print

    -

    A beautifully crafted 44 page chapbook, containing the complete album text, plus auxiliary materials and album credits. Fully illustrated throughout by the astonishingly masterful Mildew. Only 200 copies available worldwide. Also includes a high quality bookmark featuring hand-numbered edition and download code to the full album on a format of your choosing.

    -
    ships out within 14 days
    edition of 200  24 remaining

      £6.67 GBP or more 

     

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about

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TO PURCHASE THE VINYL/DIGITAL EDITIONS PLEASE VISIT THE ANETTE RECORDS BANDCAMP PAGE FOR EU ORDERS, OR FOUR FINGER DISTRO FOR US ORDERS. THANK YOU.

EU:

anetterecords.bandcamp.com/album/field-reports-from-the-western-lands

US:

fourfingerdistro.bandcamp.com/album/reindeer-field-reports-from-the-western-lands

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After almost a decade in the making, Reindeer’s first official full-length solo debut, Field Reports from the Western Lands, arrives appropriately towards in the spring of 2018 as a testament to our current blazing backdrop of social and political catastrophe; Reindeer’s anguished vocals backed by Nimrod’s sonic landscape of breathtaking post-rock tones and loops beckon you home to neon-lit ruins—Reindeer himself leading you by the hand through sprouting black monoliths out from a cracked, dying world.

A conceptual sequel to the fbcfabric & reindeer It’s Not Who You Know, It’s Whom You Know, this 16-track limited edition double vinyl in 4 parts utilizes various ‘field recordings,’ from environmental sounds throughout his travels in Europe and North America to dialogue samples of President Truman and Robert Oppenheimer, taking you on an experiential journey through the fallen Western World of murky dreams and alluring weightlessness—no, this is not an album that’s going to offer you any definiteness; rather, it endeavours to move you through the cavernous entrails of your own confused feelings via hallucinogenic impressions, spectral mirages and tones, carrying you from track to track through the chemical skies and radioactive rubble.

Not to mention that this album also includes a hauntingly gorgeous lyric booklet with original drawings by Reymundo Perez III (AKA Mildew of Papervehicle), and a digital download code as well, the entire package reminiscent of Reindeer’s notoriously complex and involved hand-crafted ‘Fragments from the Field’ packages containing forged documents from a seemingly eternal, glitchy atomic field.

Like a dreamer awakening to find the horror of his prison cell, except the horror is that the bars are nowhere to be seen—just the harrowing knowing of their existence—so it is to be submerged into the shifting, pulsating aural landscapes of this corroding lyrical maze, but with Reindeer guiding us through, his voice a blooming light amongst the wreckage.

Available 30th March 2018, Anette Records No.13

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Thank you so much for your support. It means the world to us.

VI.VI.VII

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credits

released March 30, 2018

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Nimrod: Guitars, Bass, Synthesis & Drum Programming

Reindeer: Vocals, Drones, Synthesis, Field Recordings & Text

Christoph Lofi: Album Mixing & Mastering

Mildew: Art & Design

Bianca Laleh: Auxiliary Text

Strizi: The Label Business

Jeep: The International Business

Arvid: Video Direction

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This album is entirely the product of dedicated TEAMWORK

One Love

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Copyright by Reindeer and Anette Records.
© 2018, all rights reserved. Anette Records, Berlin.
Illustrations ©2018 Reymundo Perez III.

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VI.VI.VII

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